When I was a kid I was addicted to Mad magazine. Which tells you something about my age. We used to have to get our satire at the newsstand before getting that paper copy of the Onion at the student center. I loved everything about Mad. I loved the writing, the irreverence, the detail- but what I loved most of all was the art. I was especially enamored of Mort Drucker, whose insanely intricate cross hatched masterpieces were right up there with anything John Tenniel ever did for Lewis Carrol’s books and it was every bit as iconographic.
Mad doesn’t hold the same audience it used to anymore. I think it’s at about a tenth of the size it was at the height of its circulation. The Onion is more known as a website than a newspaper, the same way Cracked is known for its online presence instead of the Mad magazine knockoff I grew up with back in the day. Bill Watterson took Calvin and Hobbes out at the height of their dominance at least in part due to the declining influence of the funny pages. Aaron McGruder left the Boondocks after a few years for television pastures on animation late night.
But there is one place where I think the best of cartoonists are still practicing their art at the height of their game. No, I’m not talking about the Family Circus, though I will admit that circular frame is pretty groundbreaking for a feature so square. I’m talking about the political cartoonists. These are the guys you see on the editorial page that aren’t Doonesbury and don’t have names even though they have recurring characters. There it is just smack dab on the page, that’s ART.
These troops in the trenches come in at varying skill levels just like any other genre of cartooning out there (and if you have thoughts to share on my level- be kind. I’m new) and the one I’ve been most entranced by is David Horsey. He has been cartooning longer than I’ve been alive- and it shows. His art is every bit as detailed and exaggerated as Mort Drucker’s work and the nuance and insight with which he illustrates make for immediate poignancy. He’s a columnist too (and a darned good one), but the words are almost unnecessary as his pictures are worth about 3156 words.
In the works of Horsey I see the best of both worlds. He is an obvious master with a pen and his lines are confident, flowing and varied. I don’t know his method for color, but it’s obviously done digitally and right skillfully as well. It’s easy in these rapidly changing times to try to cling to rules that no longer make sense, but I admire artists like Horsey who see the evolution of art and hang ten on that wave, holding for dear life. That’s inspirational.
I look forward to David Horsey and other eagle eyed Americans looking out for our interests for the next four years (more or less). I hope someday to be within telescope distance of these great satirists someday. In the meantime, I leave you with this cartoon which I swear is political. Think about it.